![]() ![]() The first illustration from yesterday’s post, of the woman writing a letter, is set in a quiet subdued tone, while the last illustration of the article above, is set in an energetic vibrant tone, depicting a parade in bright sun shiny colors, shown above. Schwartz used a cooler palette for this outdoor illustration, in contrast of several indoor scenes that reflect the amber glow from the gas lights of that period, giving a sense of historical reality to his illustrations. befitting of the hardships that confronted these tough minded dedicated women. ![]() This painterly effect is also apparent in the illustration above, depicting a wet overcast day in cool blues and grays. This was not revolutionary in the history of illustration, but it definitely was not a common illustration technique in the 50’s or the very early 60’s. What attracted and inspired me to the illustrations of Daniel Schwartz, was his combination of thin washes of oil paint, in broad brushstrokes for the dark masses and middle values, accented with thicker opaque passages for the light values, which is directed at the point of interest. For some assignments, you will observe later, that he did push the envelope depicting much more Expressionist energy to his illustrations. ![]() Schwartz blended both the methods and freedom of an easel painting, with the standards and discipline of an illustration, without entering into full Abstract Expressionism. Tom Watson, guest author here on the TI blog, continues his look at Daniel Schwartz, fine artist / illustrator. ![]()
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